Zoé Caie

✽ On the edge of several fields of art.craft.s, I have always had some difficulty constructing a hierarchy in my practices because the process seems as important to me to see as the 'work'.

It was by reading Amy Sillman about her work and her way of exhibiting it that the importance of desacralizing mediums seemed to me to be the starting point for approaching a more distant conception of the artist: artifex who creates ars and artificium

This is why my positioning is better found in the designation of a laboratory/workshop for experiments/creations in order to encompass and intermingle my different gestural practices. This allows me to anchor myself in the daily life of the seasons as two references/scales of time.

I have worked with: Vergers Urbains, Quatorze, La Graffiterie, Simplonlab, La Belle friche, La maison des réfugiés - emmaüs solidarité, CASP, COS, Fédération des murs à pêche, education nationale, ... for missions ranging from visual identity, to participatory fresco, to graphic facilitation.

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