Philipp Müller-Lang

Plotting, dramaturgical development, and final creation of a screenplay for German early-evening television programming. As part of the writers' room, I was part of a system that delivered creative solutions for screenplays punctually and with strict time constraints. What would normally take 6 weeks in comparable constellations, we did in 2. This was possible through close collaboration, team flow, and a clear vision.

Adaptation of screenplays during ongoing filming and close collaboration with the director. A perfect entry-level job into screenwriting. My task was to finalize script versions in the shortest possible time, and to find quick and good solutions for unforeseen circumstances (illness, injury, etc.) for an ongoing filming process, without the product suffering. Especially during the Corona period, with constantly changing distancing regulations on set, this was a more than tough school, from which I learned a lot.

Creation of most of the house's plays, clips, and trailers, as well as their supervision and acceptance. Also, artistic strategy development for the house. As Head Writer, I was responsible for practically every word written, whether it was advertising copy, video texts, or stage texts. I also had the privilege of implementing my own visions, such as the modern translation of Shakespearean texts into modern comedy.