Freelancer profile translated to English.
Back to original languageAbout Louison
My company merges rigorous methods from film and business schools to make your visions as artistic as they are commercial. And yes, the two go perfectly together. How?
First, thanks to our 10 years of experience in corporate films, commercials, sports videos, viral content, and cinema. We have notably participated in the branding of several deputies and ministers, investment firms, as well as numerous artistic festivals. Rich and striking shots, quality speeches, and real work on emotions represent the soul of Prodepix.
Here are our 3 steps:
First, pre-production (location scouting, meetings, web research, and free quotes). The goal? To know, understand, and act. We list the various editing, sound design, and staging effects that are consistent with your project. Thus, your film will have striking, moving, or more subdued shots and music, depending on its nature. The key is to adapt: no copy-pasting here, we create custom solutions.
Second, we handle the filming with a rare added value: our all-terrain experience and our time/result ratio. We operate outdoors, in studios, in enclosed or open spaces, and in any situation thanks to our expertise acquired in image journalism. We also have a wide variety of equipment already owned by our company. Our costs are therefore reduced for location. You will have cinema cameras and ultra-bright lenses, a Steadicam, and several studio-quality microphones at your disposal.
Third, we take care of all post-production. Our rushes are kept under lock and key, sorted, and edited in our studios. From rushes to color grading, music, mixing, and multi-format distribution, my company handles everything.
French
Native or bilingual
Can work on-site
Paris (up to 50km), Troyes (up to 50km), Provins (up to 50km), Fontainebleau (up to 50km), Lyon (up to 30km)
Experience
- ProdepixFilm Pre-productionARTS AND CRAFTSJanuary 2024 - Today (2 years and 7 months)Paris, FranceFor my medium-length film, I handled the entire pre-production phase, structuring the project rigorously and coherently before shooting. I developed mood boards to precisely define the visual universe, atmospheres, and aesthetic references of the film, serving as a common base for the entire artistic and technical team.I then carried out the technical breakdown, translating the directing intentions into concrete choices of shots, camera movements, and filming setups. This work allowed us to anticipate technical needs and optimize on-set organization. In parallel, I conducted location scouting, selecting settings suitable for the narrative and production constraints.I also managed the casting, participating in the choice of actors and ensuring consistency between characters, script, and artistic direction. All this preparation allowed us to approach the filming with a clear and structured vision.
- ProdepixScreenwriter & DirectorFILM AND AVOctober 2022 - Today (3 years and 10 months)Paris, FranceFor my medium-length film, I was responsible for the complete creation and organization of the project, from the initial idea to the final production file. I started by developing the concept and narrative universe, writing the synopsis and treatment to define the tone, pace, and overall structure of the story. These steps allowed me to clarify the dramatic stakes and anticipate the film's progression before shooting.Next, I developed a detailed sequence plan, outlining each scene and planning transitions and narrative movements, which served as a practical guide for directing and preparing the shots. To enhance the project's visual aspect, I created a mood board and all necessary artistic documents, including visual references, color palettes, and directing inspirations, to clearly convey the artistic vision to collaborators.In parallel, I worked on the project's organization and consistency, ensuring that each creative element—script, aesthetics, sequence plan, artistic direction—harmoniously integrated. I structured the production file professionally, so it would serve as a working tool for the technical team and a presentation support for potential partners or financiers.
- UI InvestissementCorporate VideoPRIVATE EQUITYFebruary 2026 - March 2026 (1 month)Paris, FranceAs part of a new collaboration with Edouard from UI Investissement, I was commissioned to film and produce a corporate video about a conference organized in Paris with Xavier Huillard, CEO of the Vinci group, a global leader in concessions, energy, and construction.The project involved complete follow-up, from preparation to final delivery, to produce a video that accurately reflected the event's spirit and the company's image.During the pre-production phase, I discussed with Edouard to understand the conference's objectives and identify the most relevant moments to highlight. I then defined the filming setup and shooting angles to showcase the speeches, the room's atmosphere, and participant interactions, while anticipating the venue's technical constraints.During filming, I managed the shots by alternating multiple camera configurations to vary perspectives and add rhythm to the footage. Using a stabilizer and a shoulder-mounted camera setup allowed me to capture both the speeches and the moments of exchange and audience reactions. Special attention was paid to framing, movement fluidity, and image quality to convey the conference's atmosphere.In post-production, I handled the rushes and editing, constructing a clear narrative around the event's highlights. The work was completed with sound mixing and color grading to achieve a coherent and professional final product.The goal was to transform this conference into a dynamic video capable of conveying the moment's energy, human interactions, and the event's unique atmosphere, while providing the company with authentic and valuable content.
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Education
- Cameraman internshipFrance 32024Mon stage JRI (Journaliste Reporter d’Images) à France 3 a été une expérience particulièrement formatrice pour mon parcours de vidéaste. Il m’a permis de travailler sur des tournages réels, en conditions professionnelles, avec de fortes contraintes de temps, de cadrage et de narration. J’ai appris à filmer rapidement, à capter l’information visuelle de manière efficace et à m’adapter aux impératifs du terrain. Cette immersion m’a également permis de structurer des reportages, de penser les images comme un récit clair et compréhensible, et de monter des contenus qui racontent une histoire tout en respectant les standards éditoriaux et techniques d’une chaîne nationale. Cette expérience a renforcé ma réactivité, ma rigueur et ma capacité à produire des images pertinentes dans des contextes exigeants et en constante évolution.
- Camera Operator TrainingCIFAP2023La formation OPV RAW du CIFAP a été particulièrement déterminante dans mon parcours de vidéaste. Elle m’a permis de maîtriser l’ensemble de la chaîne technique de l’image professionnelle, de la prise de vue à la postproduction. J’y ai développé une expertise solide sur les formats RAW, la gestion de la couleur, l’exposition, les codecs et les workflows caméra, essentiels pour garantir une qualité d’image optimale. Cette formation m’a également apporté une compréhension approfondie de l’étalonnage et des enjeux techniques liés à la fabrication de l’image, me permettant de m’adapter aux exigences des tournages cinéma, publicitaires ou documentaires. Elle a renforcé ma rigueur technique et ma capacité à anticiper les besoins d’une production, tout en conservant une approche artistique cohérente et maîtrisée.