Freelancer profile translated to English.
Back to original languageAbout Lars
I am a composer, musician and sound engineer, working at the intersection of studio and stage, film, theatre and music production. My work spans from creating atmospheric scores and producing artists to providing technical support in both live and studio settings. I work confidently with Pro Tools, Logic and Ableton, and often bring my instruments – drums, piano, guitar and bass – into the production process. Whether it’s subtle music for theatre, a powerful film score or a vibrant studio production, my goal is always to give each project its own unique sound.
I am a composer, musician and sound engineer, working at the intersection of studio and stage, film, theatre and music production. My work spans from creating atmospheric scores and producing artists to providing technical support in both live and studio settings. I work confidently with Pro Tools, Logic and Ableton, and often bring my instruments – drums, piano, guitar and bass – into the production process. Whether it’s subtle music for theatre, a powerful film score or a vibrant studio production, my goal is always to give each project its own unique sound.
German
Native or bilingual
English
Fluent
Can work on-site
Coburg (up to 50km)
Experience
- Brüder Grimm Festspiele HanauMixing Sound EngineerCULTUREApril 2025 - July 2025 (3 months)Hanau, GermanyAs a mixing sound engineer, I provided technical support for the festival. I was responsible for approximately 60 performances across four different productions. This included mixing for a musical with a live band (Die Bremer Stadtmusikanten), a second musical that used playback tracks (Hänsel und Gretel), the classic play (Bunbury - The importance of being ernest) and the family play (Rapunzel)As a mixing sound engineer, I provided technical support for the festival. I was responsible for approximately 60 performances across four different productions. This included mixing for a musical with a live band (Die Bremer Stadtmusikanten), a second musical that used playback tracks (Hänsel und Gretel), the classic play (Bunbury - The importance of being ernest) and the family play (Rapunzel)
- Brüder Grimm Festspiele HanauMixing Sound EngineerCULTUREApril 2024 - July 2024 (3 months)Hanau, GermanyAs a mixing sound engineer, I provided technical support for the festival. I was responsible for approximately 60 performances across four different productions. This included mixing for a musical with a live band (Die Gänsemagd), a second musical that used playback tracks (Sterntaler), the classic play (Romeo and Juliet) and the family play (Puss in Boots)As a mixing sound engineer, I provided technical support for the festival. I was responsible for approximately 60 performances across four different productions. This included mixing for a musical with a live band (Die Gänsemagd), a second musical that used playback tracks (Sterntaler), the classic play (Romeo and Juliet) and the family play (Puss in Boots)
- Brüder Grimm FestspieleHanauMixing Sound EngineerCULTUREApril 2023 - June 2025 (2 years and 2 months)Hanau, GermanyAs a mixing sound engineer, I provided technical support for the festival. I was responsible for approximately 60 performances across four different productions. This included mixing for a musical with a live band (Cinderella), a second musical that used playback tracks (Hase und Igel), the classic play (Tartuffe) and the family play (Hans im Glück)As a mixing sound engineer, I provided technical support for the festival. I was responsible for approximately 60 performances across four different productions. This included mixing for a musical with a live band (Cinderella), a second musical that used playback tracks (Hase und Igel), the classic play (Tartuffe) and the family play (Hans im Glück)
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Education
- Advanced Diploma in Music Production & Sound EngineeringAbbey Road Institute Frankfurt2018Music Production and Sound Engineering Diploma. Passed with distinction.