Freelancer profile translated to English.
Back to original languageAbout Julien
“It is by doing that one becomes a doer”
Far from the image of a hermit glued to their screen and grumbling at the slightest change in brief, I enjoy playing with constraints and participating in all stages of production.
After more than 12 years in the advertising industry, I have acquired the certainty that a visual is the product of a multitude of compromises and that it is the graphic designer's duty to adapt, but also to advise and take initiative.
French
Native or bilingual
English
Fluent
Can work on-site
Paris (up to 50km), Paris (up to 10km)
Experience
- FreelanceGraphic Designer / Retoucher / Illustrator / Art DirectorARTS AND CRAFTSAugust 2007 - Today (18 years and 10 months)Paris, France“Anywhere and anytime” if I had to summarize my freelance work. I have retouched from a production van, in a car, on a train, in a studio, at restaurants, abroad, in hotels, and in many unusual places, but I have a slight preference for my office in Paris. From a classic 8-hour day to a crazy 120-hour session straight (yes, really) and with over 500 freelance projects, I have experienced a wide range of situations.A small selection of clients with whom I have had the pleasure of working: Adidas, Ali Mahdavi, Auditoire, BETC, Bosch, Cartier, Clarins, CLM BBDO, Essilor, Fred & Farid, Galeries Lafayette, Havas, Herezie, Honda, Janvier, Kodak, La Prairie, Leo Burnett, L’Oréal, Prisma Media, Sacha Goldberger, Sephora, Toyota, Van Cleef & Arpels, Vanity Fair, Vogue, Wonderbra, Yves Saint Laurent, etc.
- BepongRetoucherOctober 2006 - May 2007 (7 months)Paris, FranceA lot of photo montages, big budgets, and pressure (Cartier, Hermes, WAD, Lacoste, Garnier, Hermes, Vogue…). Very formative. I benefited from the experience and advice of "seniors" (manual retouchers and printers).
- Gutenberg on Line DigitalColor RetoucherJanuary 2006 - October 2006 (9 months)Levallois-Perret, FranceFrom simple compliance of large catalogs to the most complex montages, including the most subtle CMYK calibrations (to the nearest quarter percent); every day was a challenge.
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