Freelancer profile translated to English.
Back to original languageAbout Julien
Sound engineer for over ten years, I started with live sound and conferences, I mainly work in audiovisual (series, short films, documentaries, interviews, hidden cameras, ..) and in studio (recording, mixing, mastering).
I have done recordings for Google, Eurovia, FNAC, Coca Cola, Raise Up Films, Golden Network, and many others!
You can see more on my website!
Rates vary depending on the service.
They have passed behind my microphone:
Alicia Vikander
Álvaro Rico
Adrien Solis
Andrew Kramer (Video Copilot)
Annie Briggs
AVA6
Benjamin Verrecchia
Bruno Méyère
Cardinal André Vingt-Trois
Catherine Privat
Chantal Baroin
Christian Quesada
Christophe Peyroux
Claudia Salas
Dorothée Pousséo
e-penser
Elise Bauman
Elliot Fletcher
François-Côme du Boistesselin
Ganesh2
Gilbert Lévy
Hardisk
Hazerka
Holton Buggs
Isabelle Clarke
Jean-Philippe Puymartin
Jesse Jackson
Jok'Air
JR O Chrome
Just Riadh
Justine LePottier
Kemar
Le Tatou
Lola Dubini
Loris Giuliano
Lyna Mahyem
Maison Margiela
Makao
Manuel Sinor
Marc-Edouard
Martin Solveig
Maskey
Micode
Mina El Hammani
Natasha Negovanlis
Nathalie Bienaimé
Olivier Faure
Patrick Roger
Pierre Croce
Potentiall
Remouk
Samir Benzema
Sarah Daninthe
Stéphane Marais
Tonio Life
Vincent Ropion
Walane
French
Native or bilingual
English
Fluent
Can work on-site
Paris (up to 50km), Paris (up to 100km), Toulon (up to 100km), Rouen (up to 100km), Lyon (up to 100km)
Experience
- Skyërn AkleaSound Operator / Sound EngineerFILM AND AVJuly 2018 - Today (7 years and 11 months)Paris, France
My activity sectors
Sound recording - Recording / Mixing / SFX / Sound Effects / MasteringImage recording / Editing / Color GradingAuthor - Composer - Performer"Being a sound engineer is not just about holding a boom pole and a microphone"
• Ensure there are no dropouts or interference in wireless systems;• Know how to quickly identify interference and resolve it as effectively as possible;• Provide the cleanest and most usable sound recording possible;• Explain to the client that raw footage is never used;• Inform the client that the more microphones there are, the more phase problems can occur, so the mixing stage should not be neglected;• Explain that we don't just rely on wireless systems; they are there for support, a security measure with its flaws;• Make the client understand that ADR (post-synchronization) exists;• Put actresses at ease enough for me to put my hands under their T-shirts to place the lavalier microphone;• During conferences, explain to speakers that if they don't speak CLOSE to the microphone, it will cause feedback (Larsen). - Espace CharentonSound and Video TechnicianENTERTAINMENT AND LEISUREOctober 2018 - Today (7 years and 8 months)Paris, FranceAs an external service provider, when my colleagues cannot be present, I am responsible for all the sound and video aspects of Espace Charenton.I provide sound for your conferences, trade shows, shows, congresses, etc., with the available equipment on site!I also handle broadcasting your slides on the room's screens.I make equipment available for external service providers.
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Education
- No diplomaTrained on the job2006Je n'ai pas suivi de formation, j'ai tout appris tout seul puis je me suis orienté vers quelques masterclasses, j'ai appris sur le terrain avec plein d'ingénieurs du son !