Freelancer profile translated to English.
Back to original languageAbout Julien
Sound engineer for over ten years, I started with live sound and conferences. I mainly work in audiovisual (series, short films, documentaries, interviews, hidden cameras, etc.) and in the studio (recording, mixing, mastering).
I have done sound capture for Google, Eurovia, FNAC, Coca Cola, Raise Up Films, Golden Network, and many others!
You can see more on my website!
Rates vary depending on the service.
They have been behind my microphone:
Alicia Vikander
Álvaro Rico
Adrien Solis
Andrew Kramer (Video Copilot)
Annie Briggs
AVA6
Benjamin Verrecchia
Bruno Méyère
Cardinal André Vingt-Trois
Catherine Privat
Chantal Baroin
Christian Quesada
Christophe Peyroux
Claudia Salas
Dorothée Pousséo
e-penser
Elise Bauman
Elliot Fletcher
François-Côme du Boistesselin
Ganesh2
Gilbert Lévy
Hardisk
Hazerka
Holton Buggs
Isabelle Clarke
Jean-Philippe Puymartin
Jesse Jackson
Jok'Air
JR O Chrome
Just Riadh
Justine LePottier
Kemar
Le Tatou
Lola Dubini
Loris Giuliano
Lyna Mahyem
Maison Margiela
Makao
Manuel Sinor
Marc-Edouard
Martin Solveig
Maskey
Micode
Mina El Hammani
Natasha Negovanlis
Nathalie Bienaimé
Olivier Faure
Patrick Roger
Pierre Croce
Potentiall
Remouk
Samir Benzema
Sarah Daninthe
Stéphane Marais
Tonio Life
Vincent Ropion
Walane
French
Native or bilingual
English
Fluent
Can work on-site
Paris (up to 50km), Paris (up to 100km), Toulon (up to 100km), Rouen (up to 100km), Lyon (up to 100km)
Experience
- Skyërn AkleaSound Recordist / Sound EngineerFILM AND AVJuly 2018 - Today (8 years and 1 month)Paris, France
My areas of activity
Sound capture - Recording / Mixing / SFX / Sound Effects / MasteringImage capture / Editing / Color GradingWriter - Composer - Performer“Being a sound engineer isn't just about having a boom pole and a microphone”
• Ensure no dropouts or interference in wireless microphones;• Know how to quickly identify interference and resolve it as effectively as possible;• Provide the cleanest and most usable sound recording possible;• Explain to the client that raw footage is never used as is;• Warn the client that the more microphones there are, the more phase issues can occur, so the mixing stage should not be neglected;• Explain that we don't just rely on wireless microphones; they are there for support, a safety net that has its flaws;• Make the client understand that ADR (Automated Dialogue Replacement) exists;• Put the actresses at ease enough for me to reach under their T-shirts to place the lavalier microphone;• During conferences, explain to speakers that if they don't speak CLOSE to the microphone, feedback will occur. - Espace CharentonSound and Video TechnicianENTERTAINMENT AND LEISUREOctober 2018 - Today (7 years and 10 months)Paris, FranceAs an external service provider, when my colleagues cannot be present, I am responsible for the entire sound and video aspect of Espace Charenton.I provide sound for your conferences, trade shows, performances, congresses, etc. with the available equipment on site!I also handle broadcasting your slides on the room's screens.I make equipment available for external service providers.
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Education
- No degreeOn-the-job training2006Je n'ai pas suivi de formation, j'ai tout appris tout seul puis je me suis orienté vers quelques masterclasses, j'ai appris sur le terrain avec plein d'ingénieurs du son !