Jules Beautemps

Holder of a higher education RNCP title in audiovisual production with a specialization in editing, my adventure began with Abdellatif Kechiche as an assistant editor on his latest film Mektoub my love: Canto uno. I quickly became an editor within a team of other editors, and for two months, we poured our hearts and souls into finishing the film in time for the Venice Film Festival. The following year, I had the opportunity to be an assistant editor for Yann Arthus Bertrand and Anastasia Mikailova's film "Woman." I was responsible for listening to and selecting from 80 interviews with women from Brittany. We then had the chance to edit a one-hour spin-off, which was screened at the Breton festival: "Les Lieux mouvant." Back in Paris, I found a position as an assistant editor alongside Béatrice Herminie on the feature film "Un vrai bonhomme," directed by Benjamin Parent, and then on an independent documentary feature film "Johann Zarco: Making of" by director Bernard Fau.

The desire to direct grew stronger, and in March 2019, I acquired my own equipment to embark on a long-term documentary project, while continuing my assistant work in parallel. In May 2021, I met a communication agency, "Mister Bing Bang," which has been hiring me very regularly for various projects in editing and directing for companies such as Caisse d'épargne and UNMI. Even though a few years earlier I feared getting bored in this field, I now realize that it is not so different when one makes the effort to try to tell a story...