Hugo Komosa

Chief Editing and VFX, organization, technical and post-production advice, management of workflows and metadata in the lab or on set, freelance or intermittent for Advertising, Television, or Events.

References:

Advertising Films (Editor / Data Manager):

BIRKENSTOCK (Ilan Rosenblatt / AltShift)

SHU UEMURA (So Parisiens / AltShift)

FRED (AltShift)

NO NAME (AltShift)

BOSS (Pavillon Noir)

LEVIS (Pavillon Noir)

BACKMARKET (Pavillon Noir)

IKEA (Partizan)

Fashion Shows / Event Films (Editor / Data Manager):

CHANEL (Hopscotch / AltShift)

DIOR (Hopscotch / AltShift / Provisional Title)

JEAN-PAUL GAULTIER (Pavillon Noir / AltShift)

POTEL ET CHABOT (AltShift)

LEMAIRE (Provisional Title)

HELENA RUBINSTEIN (AltShift)

XIAOMI (Pavillon Noir)

RENAULT (B&A Productions)

TV Shows and Specials (Editor / Assistant Editor):

AU GALOP (AH Productions)

LES BODIN’S (JYL Productions)

MORNING NIGHT (JYL Productions)

VICTOIRES DE LA MUSIQUE (JYL Productions)

VINTAGE MECANIC (3oeil Productions)

MERCI DOROTHÉE (3oeil Productions)

STARMANIA LES 45 ANS (ComédiHA! Productions)

Feature Documentaries (Data Manager / Assistant Editor):

CROIS PAS QU’ON DORT (Soldats)

ANCESTRAL : LE VIN NATURE (AltShift, ongoing project)

KASPAROV, REBELLE SUR L’ÉCHIQUIER (Hide Park)

24H DU MANS, ENTREZ DANS LA LÉGENDE (3oeil Productions)

THE BALL (Love Seat Entertainment)

Feature Fiction Films (Assistant Editor):

LE LIVRE DES SOLUTIONS (Michel Gondry / Partizan)

YOUSSEF SALEM A DU SUCCÈS (Partizan)

STÉPHANE (Partizan)

Fiction Series (Assistant Editor):

LES FRÈRES PÉTOUX (Monsieur Poulpe / Partizan)

REUSSS (Partizan)

LES RADOTEURS (3oeil Productions)

Chief Editing and VFX, organization, technical and post-production advice, management of workflows and metadata in the lab or on set, freelance for most of the Birkenstock brand content (Brand, Social, and Stores).

Accustomed to tight deadlines, I combine organization and technical rigor with method and serenity. Committed and invested, I value research and inspiration at the heart of the creative process. I thus consolidate my narrative eye to tell ever stronger and more mastered stories.

I also ensure the management and security of media and its metadata, the monitoring of conformities and deliveries, with method and serenity, even under tight deadlines. My organization, my curiosity, and my technical rigor serve a constant objective: permanent workflow optimization.

Technical and organizational aspects of projects, metadata management in the lab for editors and colorists, in Cinema and Advertising.

I have ensured the management and security of media and its metadata, the monitoring of conformities and deliveries, with method and serenity, even under tight deadlines. My organization, my curiosity, and my technical rigor serve a constant objective: permanent workflow optimization.