Freelancer profile translated to English.
Back to original languageAbout Eric
Sound is my tool. Emotion my goal.
As a specialized sound designer for immersive audio productions, I create acoustic worlds that don't just accompany stories, but make them tangible. My focus is on a plastic, detail-loving sound design that puts the listener right in the middle of the action.
Why TILIADESIGN?
I don't work according to the "building block principle". Every scene is individually experienced and acoustically designed in such a profound way that a tangible atmosphere is created. My technical focus is on powerful mixes in stereo as well as innovative 3D audio concepts (Binaural Sound).
References & Series (Excerpt)
I am proud to have been responsible for the sound design of numerous renowned radio play series and blockbuster productions, including:
Horror & Mystery: The Dark Omen, Midnight Tales, Horror Tales, Dark Game, Shadow Chasers.
Sci-Fi & Adventure: Science Fiction Tales, Neue Welten, Dreamwalker, Ahnenzauber.
Thriller & Crime: Murder Tales, Cliffhanger Tales.
Website: tiliadesign.de
German
Native or bilingual
French
Native or bilingual
English
Fluent
Remote only
Primarily works remotely
Experience
- Hermann Media audiobooksSound Designer (Freelance)FILM AND AVNovember 2023 - Today (2 years and 7 months)Siegburg, GermanyResponsible for the complete acoustic post-production and audio dramaturgy of numerous successful series. My focus is on creating plastic sound worlds that emotionally engage the listener.
Core Tasks & Series:
- Creative Audio Direction & Sound Design: The Dark Omen, Dreamwalker, Dark Game, Shadow Chasers, Ahnenzauber, Neue Welten New Generation.
- Dramaturgy: Selection and placement of music, scores, and shock effects to precisely control the suspense curve.
- Immersive Audio: Creation of immersive stereo mixes for a modern, spatial listening experience.
- Technology: Dialogue editing, mixing, and final mastering according to industry standards.
- Contendo MediaSound Designer (Freelance)FILM AND AVNovember 2023 - Today (2 years and 7 months)Siegburg, GermanyPost-production and sound editing for various genre series.Focus on atmospheric world design and rhythmic storytelling through sound.
Core Tasks & Series
- Creative Audio Direction & Sound Design: Murder Tales, Science Fiction Tales, Cliffhanger Tales, Murder Tales, Horror Tales, Midnight Tales.
- Sound Editing: Precise dialogue editing and sonic integration of the speakers into the scenery.
- Atmosphere Design: Development of individual soundscapes for thriller, sci-fi, and crime settings.
- Quality Assurance: Ensuring a powerful, transparent mix for all distribution platforms.
- TILIADESIGNFounderFILM AND AVJanuary 2023 - Today (3 years and 5 months)Siegburg, Germany
Sound Designer & Audio Post-Production | Immersive 3D Audio & Sound Editor
1. Creative Sound Design & World Design
- Layering & Texturing: I create individual sound atmospheres (ambiances) that perfectly match the setting – from a claustrophobic spaceship to a foggy Victorian moor.
- Foley Editing: Integration of organic sounds for a tangible, "real" feel in the sound.
- SFX Design: Precise placement of effects and shock moments to control the suspense curve.
2. Audio Dramaturgy & Music Curation
- Dramaturgical Music Selection: I decide on the use, timing, and emotional impact of music (scores/songs) to subtly support the plot.
- Rhythm & Pacing: Fine-tuning the narrative speed through targeted use of silence, musical transitions, and sound accents.
3. Dialogue Editing & Voice Optimization
- Precise Editing: Cleaning up takes, optimizing the flow of speech, and character-focused editing.
- Sonic Integration: The voice is not placed "on top" of the sound, but integrated "into" the space (reverb, EQ matching).
4. Mixing & Mastering (Stereo & 3D/Binaural)
- Plastic Sound Worlds: Creation of immersive 3D audio mixes (Binaural) that completely surround the listener.
- Powerful Mix: A flawless, modern sound that is as convincing on headphones as it is on large sound systems.
- Final Mastering: Adherence to technical specifications (loudness standards like R128) for publishers and platforms.
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