Céline K.

Specializing in product packshot photography, I spent three years assisting a brand in creating its e-commerce visuals. The mission involved at least two shooting seasons per year, with over 100 product references to photograph each session.

The shoots were conducted in my own photo studio, fully equipped for product photography: neutral backgrounds, continuous and flash lighting, professional cameras, tripods, and styling accessories. Working autonomously allowed me to ensure high reactivity, visual consistency between seasons, and consistent quality from one image to the next.

Each session began with a precise brief on the products, materials, desired output, and technical constraints for online sales. I managed the entire process: preparation, shooting, editing, color retouching, background removal if needed, file renaming, and delivery in the required formats. The images were ready for direct integration onto the e-commerce site or marketplaces.

Through this long-term collaboration, I refined my working methods, optimized my production workflow, and adapted to the brand's evolving visual identity. I also proactively suggested improvements for product presentation and highlighted materials, cuts, or details through precise lighting and appropriate styling.

Reliable, organized, and meticulous, I am comfortable handling large volumes while ensuring a faithful, aesthetic, and brand-consistent result.

Event photographer for Xiaomi, I had the pleasure of supporting the brand for several official store openings in France and Europe, as well as creating photo reports for press and internal communications.

My role covered all the key moments of these events: photos of the venues before opening (empty or under setup), key inauguration moments (speeches, ribbon cutting, crowds, entertainment), candid portraits of the teams, general atmosphere, and capturing staging details (POS displays, flagship products, window displays, branding). These reports aimed to enhance the brand's image while providing dynamic, professional, and directly usable content for the communications and PR teams.

Working in Paris and its region, Milan, and other European cities, I demonstrated flexibility and adaptability in covering events in various contexts, often with tight deadlines. I worked completely autonomously on-site: quick scouting, managing ambient light or flash as needed, being discreet to capture natural interactions while respecting event constraints.

After each mission, the images were delivered quickly, sorted, retouched, and optimized for digital and print use. A "best of" selection was also provided for immediate use in press releases or on social media.

This collaboration with Xiaomi allowed me to further develop my expertise in large-scale event photography, within the context of an international brand where visual standards, responsiveness, and understanding communication stakes are essential.

Photographer and videographer for the communications department of Paris-Panthéon-Assas University, I produced regular visual content to promote the institution, its teams, and its events.

This versatile role included photo reporting at official events (ceremonies, conferences, symposiums, ministerial visits), institutional portraits of professors and administrative staff, and creating videos for internal and external communication (presentation clips, interviews, short formats for social media, long videos for on-site or event broadcasting).

Accustomed to academic and institutional environments, I adopted a sober, professional, and human approach, adapting to university communication codes while bringing a sensitive and contemporary touch to my images.

I also managed the internal photo library, including classification, retouching, renaming, archiving, and delivering images according to the standards defined by the communications department. The goal was to build a consistent, sustainable, and usable archive for all publications (web, print, press kits, annual reports, etc.).

Working completely autonomously on shoots and in coordination with communication managers, I implemented a fluid production workflow, respecting deadlines and attentive to representation constraints (image rights, identity respect, institutional clarity).

This mission allowed me to leverage my technical skills in photography and video, my rigor in content management, and my interpersonal skills in a demanding environment, while contributing to the visibility of a major French university institution.