Audrey Bernachot

> Novabox x Renault: General management of a sales training program across 4 sites for 4 weeks

> Magnum Production x Opel: Global event coordination for a press launch of the new Corsa

> FFMoto - MXGP25: Social media content editing (event highlights & interviews)

> CVSM: Co-organization of the Wing Foil Show25 regatta (event), creation of social media video content and management of the 2025 distribution campaign (audiovisual)

Since 2019, I have also been applying my skills to FISE World Series Montpellier.

2019-2024: Live camera assistant, video production management

2025: Video production assistant (LIVE Management Hurricane Event x AMP and FISE CAM 2025 production).

My background – from accounting to production management – has allowed me to adopt a structured yet creative approach.

Pre-production (conception, supplier sourcing, budgeting, planning), activation (general management, supplier coordination, logistics, and on-site monitoring), client relations.

Production, filming, editing, short-form content production for social media

• Event/Audiovisual Project Management: conception and management (sourcing, budgets, schedules, coordination, client relations)

• Management, logistics, on-site coordination

• Office Suite, Apple, Google Drive

I prefer a 100% remote setup for pre- and post-production and travel easily to ensure the smooth management of events during activation.

My mission was to support advertiser clients throughout the process of producing their films and audiovisual content.

Pre-production:

- Brief taking

- Translating commercial messages into creative ideas

- Developing strategic recommendations

- Coordination of Copywriting and Content Creation

- Script breakdown;

- Defining technical requirements for shoots (personnel and equipment);

- Establishing and negotiating quotes from suppliers and vendors;

- Determining, monitoring, and managing the overall budget and production schedules;

- Creating and managing the production file, handling permits and shooting agreements;

- Social management of intermittent worker contracts;

- Legal management of audiovisual service contracts with clients

- Logistics preparation for shoots

- Technical scouting

- Client support

Production:

- Liaising with locations/technical crew/actors/suppliers/client

- General shooting coordination

Post-production:

- Coordination of post-production teams

- Client liaison for deliverable approvals.

- Management of broadcasting rights

- Internal and external reporting

Link is a creative agency specializing in Digital Marketing and Video Production.

As a true all-rounder, my role as Office Manager involved supporting management and employees on all matters within the company:

- Office:

• Agency administrative management

• Preparation of files, relations with external service providers (lawyers, shareholders, accountants)

• Onboarding and personnel management

- Finance:

• Accounting: preparation and transmission of accounting documents, transmission of monthly payroll information, supplier payment follow-up, credit control,

• Management Control: Implementation and monitoring of dashboards: monitoring revenue, cash flow

In parallel, I was involved in Audiovisual Production Projects as:

- Project Manager:

• Participation in tenders

• Coordination of projects between clients and teams/suppliers

- Audiovisual Production Manager:

• Shooting administrative management: actor recruitment, shooting agreements

• Work organization: timelines, production file

• Budgetary and accounting monitoring