Anosh Ahmad

At Sonic Stone I owned the entire post-production pipeline for a luxury furniture brand from first cut through to final delivery across every platform. Over 12 months I produced 800+ assets including brand films, product sizzles, animated motion sequences, and short-form social content for Instagram, TikTok, and YouTube.

The work that I'm most proud of here was building a hybrid AI + 3D + live action production workflow from scratch — integrating Runway, Kling AI, and Mid journey into live commercial pipelines alongside Blender and After Effects. This reduced external production costs by 44% while maintaining premium visual output, and cut asset turnaround times by 60%.

The broader content strategy drove 200% brand growth and 500K+ monthly impressions.If you're a brand or agency looking for someone who can handle the full pipeline — strategy, production, motion, colour, delivery — and bring AI-integrated workflows that save time and budget without touching quality, this is the kind of work I do.

At OP.GG I led post-production for a global E-sports broadcaster. Fast turnaround editorial, After Effects motion graphics, sound design, and multi-platform delivery, week in week out against tight deadlines.

Beyond the editing, I built 70+ modular motion graphics and animated title packages that standardised the studio's visual identity across all content streams meaning the team could produce at scale without starting from zero each time. I also used YouTube Analytics data (retention graphs, CTR, average view duration) to make iterative editorial decisions that actually moved numbers: 32K subscribers, 42% improvement in viewer retention, and channel monetisation achieved within two quarters.

This role is where I developed a deep understanding of what makes short-form and long-form content perform on platform — not just how it looks, but why audiences stay or leave. That strategic layer is something I bring to every project now.

During this period I worked across 20+ commercial campaigns for some of the world's most recognised brands — Samsung, Coke Studio, and international fashion labels — handling full end-to-end post: assembly edit, VFX compositing, After Effects motion graphics, DaVinci Resolve colour grade, sound design, and broadcast master delivery.

A few highlights worth mentioning: I edited and delivered the multi-cam VFX and sound design for Coke Studio Season 15's finale 'Mehmaan' — which hit 13M+ views and had to meet global broadcast compliance standards on a fast turnaround. I also directed Pakistan's first AI fashion film, designing and executing a Midjourney and Runway hybrid pipeline and compositing AI-generated characters into live-action footage — years before most people in the industry were thinking about this.

I also produced long-form F1 and MMA content for EU and US teams averaging 300K+ views, driving those channels to monetisation within six months through narrative pacing, motion graphics, and integrated VFX.