Freelancer profile translated to English.

Description

Director & Visual Director — music, live, institutional

I create images that build an identity. Not just a rendering — a coherent vision, carried from conception to the audience.

For over 15 years, I have been involved in the entire visual chain: music videos, photography, posters, promotional videos, aftermovies, stage communication. I work with artists, agencies, and institutions that want a lasting presence.

My most recent collaborations: all the visual communication for Scylla & Furax Barbarossa's next album: music videos filmed notably inMontreal, photography for the cover, poster, and communication for their show atZénith de Paris on October 30th. With Scylla, I also designedthe entire visual setup for his concert at BOZAR in Brussels with a symphony orchestra: photo, poster, promo video, and aftermovie.

Other stages mark this journey:Olympia, Bataclan, Ancienne Belgique, Zénith. Repeated collaborations, not one-offs: that's the difference between delivering a file and carrying a project.

I also work withagenciesandpublic institutionssuch as themunicipality of Eghezée, for which I have carried out several communication campaigns, including in an electoral context.

My process integratesvideo AItools, allowing me to offer visually ambitious productions with increased agility, without sacrificing artistic direction..

📍Based in Belgium — available in France, Switzerland, Luxembourg, and internationally

Industry field of expertise

Languages

French
Native or bilingual
English
Conversational

Workplace preferences

Can work on-site

Bruxelles (up to 50km), Bruxelles (up to 50km)

ASABKHI
Director and Visual Director
FILM AND AV
January 2009 - Today (17 years and 7 months)
Bruxelles, Belgium
Director and visual director for 15 years. I build visual universes for artists like Scylla & Furax Barbarossa — music videos, photos, posters, live performances. From Zénith de Paris to BOZAR with a symphony orchestra, filming as far as Montreal. I also collaborate with agencies and public institutions. Video AI is part of my process. My goal: for every image to carry an intention and leave a trace. for 15 years. I build visual universes for artists like Scylla & Furax Barbarossa — music videos, photos, posters, live performances. From Zénith de Paris to BOZAR with a symphony orchestra, filming as far as Montreal. I also collaborate with agencies and public institutions. Video AI is part of my process. My goal: for every image to carry an intention and leave a trace.
AI Video Production Video Editing Direction & Artistic Direction
Scylla, Sofiane Pamart & Médine
Quatrième Mur (Official Music Video)
FILM AND AV
November 2023 - January 2025 (1 year and 2 months)
Bruxelles, Belgium
Direction, filming, and full editing in live conditions.

• Quick preparation and location scouting before the concert
• Coordination with lighting and sound teams
• Multi-camera video capture in two stages:
• During stage setup
• Live, during the concert: no room for error
• Choice of angles, movements, and visual dynamics consistent with the artists' universe
• Direction in complete autonomy in a high-pressure environment
• Editing of the music video within hours of the concert
• Construction of a strong narrative combining tension, emotion, and stage presence
• Meeting deadlines for release
Sofiane Pamart & Scylla
Promotional Video
SOCIAL NETWORKS
March 2024 - March 2024
Bruxelles, Belgium
Creation of a teaser from live footage, without initial briefing

Key responsibilities:

• Filming of the concert for documentary/artistic purposes, without an initial brief
• Quick adaptation to a new request: creating an official promo video
• Sorting, logging, and selecting the best shots filmed under live conditions
• Creation of an emotional and powerful teaser from rushes not intended for this purpose
• Construction of a coherent visual rhythm despite the absence of an initial shooting plan
• Immersive editing highlighting the stage performance, musical power, and venue atmosphere
• Integration of branding, transitions, and dynamic effects without altering the performance
• Fast delivery of promotional content.